Fee Download Old Times (Pinter, Harold), by Harold Pinter
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Like Pinter's earlier plays. Pinter deals with bare essentials. There are only three characters -- a man named Deeley, his wife, Kate, and Anna, a friend of Kate's whom they have not seen in 20 years. Beneath the surface of their taut, witty conversation lurks suggestions of darkness, until the present is overwhelmed with intimations of some frightening past.
- Sales Rank: #7091754 in Books
- Published on: 1994-01-13
- Format: Bargain Price
- Number of items: 1
- Dimensions: .26" h x 5.17" w x 7.95" l,
- Binding: Paperback
- 75 pages
About the Author
Harold Pinter was born in London in 1930. He lived with Antonia Fraser from 1975 and they married in 1980. In 1995 he won the David Cohen British Literature Prize, awarded for a lifetime's achievement in literature. In 1996 he was given the Laurence Olivier Award for a lifetime's achievement in theatre. In 2002 he was made a Companion of Honour for services to literature. In 2005 he was awarded the Nobel Prize for Literature and, in the same year, the Wilfred Owen Award for Poetry and the Franz Kafka Award (Prague). In 2006 he was awarded the Europe Theatre Prize and, in 2007, the highest French honour, the Legion d'honneur. He died in December 2008.
Most helpful customer reviews
3 of 5 people found the following review helpful.
My second meeting with Pinter (spoilers, kinda)
By Arkaan Semere
This was my second Pinter play, and I must say that I enjoyed Old Times much more than The Homecoming, which felt too unpleasant.
There is no plot to speak of, but it has three enigmatic characters (one male, two females) who discuss events in the past. This really doesn't belong in the 'theatre of the absurd' category, but one can call it a 'nominal comedy', along the same lines as Albee's A Delicate Balance, because everything is the same at the end as the beginning.
The reason this play works is due to Pinter's growing control over his characters and the complete brilliance he has in his situational writing. He doesn't write of plots, but he raises so many questions. The fact that none are answered is really of no consequence. It is a difficult play, but a rewarding one.
1 of 3 people found the following review helpful.
That Old Black Magic Has...
By John F. Rooney
In reading Pinter's "Old Times" (1970) one gets the feeling that much of the novelty of the Theater of the Absurd has worn thin. Pinter's work seems far less of a breakthrough than it once did. Then we were engrossed by what was new and novel, but now new realities, new trends and the return of old trends have appeared. Today's theater is less cerebral, less demanding, more facile and superficial--just as it was before the Theater of the Absurd was in its heyday. Perhaps audiences have been lulled back to sleep.
Psychologically this play is still interesting because it deals with time and memory in an unfamiliar manner. Kate and Deeley are married living away from the London. Kate's old friend Anna is visiting after twenty years. We are faced with ambiguities and gnawing questions. Were Anna and Kate lovers in the past? Did Deeley know Anna in the past? When the play first begins is Anna really in the room? And what does borrowed underwear have to do with the eroticism evident in the play? Is Pinter manipulating us? Playing with us?
The play begins with Absurdist questions and dialogue with some real nonsense lines. Pinter is interested in words, their true meanings, and silences. Some familiar lyrics from old songs are sung by Deeley and Anna such as "Blue moon, I see you standing alone..."
Deeley is apparently a movie director or someone connected with movies. At one point he says he's Orson Welles. There's a lot of mystifying behavior and conversation in the play.
The play has the usual Pinteresque suspense and sense of menace, but it's more obscure, opaque. Why are we uneasy, disturbed by what is occurring? For Deeley the two women seem to merge into one. Does Anna ever show up at all or is it really just Deeley and Kate? Does Anna still exist? This play has one of Pinter's most enigmatic closing scenes.
3 of 8 people found the following review helpful.
Not For Everyone
By A Customer
This book is a member of that series of plays called "theatre of the absurd." For the most part, the average reader will not understand what's going on. The play deals with one married couple and a visitor who joins and leaves the action of the scene periodically. This is about reminiscing the past and interpreting it. The main focus is how people can not communicate with one another. The more you read it, the more you understand it, but it is very subjective. Only mature readers and theatrically-educated people will appreciate it.
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